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NEXT UP

JUNE 2025

Event Selection I

by Beatrice Rainone

NEXT UP is the column curated by Beatrice Rainone, dedicated to a critical selection of the most significant initiatives that address the new themes and languages with which contemporary art confronts digital culture.

FRAGILE: Sixteen Atlases of Breakage, Quiet Ensemble. Courtesy Rifugio Digitale

FRAGILE: Sixteen Atlases of Breakage
05.28 – 06.15.2025

Rifugio Digitale, Florence

In the secure, armoured heart of a former nuclear bunker, Quiet Ensemble stages an ode to fragility. Sixteen monitors begin to crack, creating iridescent and unique visual landscapes. Vibrations, glows, digital fissures: disaster becomes art.
Cosmic data collected by the EGO observatory guide this orchestrated collapse. In a place built to withstand every impact, true power is born from the ability to be broken — to turn every fracture into beauty.

Dissolvenze | Corrispondere al tempo
15.05 – 02.08.2025

MAD Murate Art District, Florence

What if transformation were a form of stability?
Simoncini.Tangi invite us to tune in to the slow time of water, leaves, and oxidation. In an immersive journey through upside-down gardens, plants drawing with light, and metals that record time, nature is not a backdrop but a creator.
The works, born of rain, light, and oxides, do not illustrate nature — they recreate it. The Arno, a liquid and sensitive archive, guides this exploration: a river that does not flow, but writes.

Dissolvenze | Corrispondere al tempo MAD Murate Art District, Firenze. Photography by Alisa Martynova. Courtesy MAD Murate Art Discrit
Elizabeth Price, SLOW DANS GOMA, 2023. Photography by Andrew Lee. Courtesy Liverpool Biennal

Biennale di Liverpool 2025
07.06 – 14.09.2025

Liverpool, Regno Unito

Pronti a scavare sotto la superficie?

We do it in an exceptional out-of-Italy presence, at the Liverpool Biennial 2025. BEDROCK — a name that sounds a bit like a video game — explores the city’s social and cultural foundations through digital and immersive installations.
An experience that redefines the concept of a “solid base”.

Beatrice Rainone

Born in 1999, she is a museum educator and mediator. She graduated in Art History at the University of Florence with a thesis on the concept of reproducibility in crypto-art. She currently works in various cultural institutions in Tuscany, including Fondazione Palazzo Strozzi, Centro per l’arte contemporanea Luigi Pecci, Fondazione Pistoia Musei, Museo del Tessuto.

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